(For our week dedicated to Robert Schumann, pianist Jonathan Biss defends this misunderstood composer in the first of three essays. Click the audio link above to hear him play Schumann and discuss the composer with Performance Today host Fred Child.)
Join us Friday as we celebrate the 75th anniversary of Tanglewood, the summer music festival that is both the seasonal home of the Boston Symphony Orchestra and a legendary destination in its own right.
The "Hallelujah Chorus," from George Frideric Handel's Messiah, is such an iconic piece of music — and is so ingrained as a Christmas tradition — that it's easy to take its exuberance and its greatness for granted.
The Cello Concerto was the last of the three scores Antonín Dvorák wrote during his three-year residency in the U.S., when he served as director of the National Conservatory in New York City from 1892 to 1895.