Scott Simon

Some of the great roles for sopranos are often compellingly fragile — and disarmingly forceful – women: Gilda, the favored daughter in Rigoletto; Violeta, the doomed love in La Traviata.

Charity Tillemann-Dick has sung those roles onstage, but her greatest role may be her own life. She is one of 11 brothers and sisters of a Mormon-Jewish family, and was studying at the Franz Liszt Academy of Music when she was diagnosed with a debilitating and ultimately fatal lung disease.