The Bach Hour

Sundays 6-7am, Mondays midnight-2am

The virtually limitless well of music by J.S. Bach has always had a prominent place on radio airwaves in Boston. Whether it’s an iconic work like the Toccata and Fugue in D minor or a rarely heard but emotionally riveting church cantata, Bach’s music is a touchstone, returning listeners to a foundation on which so much subsequent music has been built.

Hear The Bach Hour each Sunday at 6am on 99.5 WCRB.

Fleisher's Chaconne

Sep 14, 2014

On the program:

Contrapunctus I, from The Art of the Fugue - Emerson String Quartet

Cantata BWV 33 Allein zu dir, Herr Jesu Christ (translation) - Franziska Gottwald, alto; Paul Agnew, tenor; Klaus Mertens, bass; Amsterdam Baroque Orchestra and Choir, Ton Koopman, conductor

Allein zu dir, Herr Jesu Christ, BWV 1100 - Hans Fagius, organ (1728 Cahman instrument at Leufsta Bruk, Sweden)

Chaconne (Etude No. 5 for the Left Hand, arr. Brahms) - Leon Fleisher, piano

Contrapunctus V, from The Art of the Fugue - Emerson String Quartet

On the program:

Two-Part Inventions: No. 4 in D minor, No. 5 in E-flat, and No. 6 in E, BWV 775-777 - Till Fellner, piano

Missa Brevis in G, BWV 236 - Cantus Cölln, Konrad Junghänel

Chaconne, from the Partita No. 2 in D minor, BWV 1004 (arr. Hideo Saito) - Boston Symphony Orchestra, Seiji Ozawa, conductor

Stu Rosner

On the program:

Missa Brevis in A, BWV 234 - Cantus Cölln, Konrad Junghänel

Partita No. 3 in E, BWV 1006, for Solo Violin - Aisslinn Nosky, violin

On the program:

Piece d'Orgue (Fantasy) in G, BWV 572 - Fretwork

Missa Brevis in G minor, BWV 235 - Cantus Cölln, Konrad Junghänel

Partita No. 3 in A minor, BWV 827 - Jeremy Denk, piano (pictured)

Visit Jeremy Denk's blog, Think Denk

Harpsichordist and Academy of Ancient Music Music Director Richard Egarr talks about the Well-Tempered Clavier and Bradley Lehman's theory of tuning for the piece, and Konrad Junghänel conducts the Missa Brevis in F.

On the program:

Missa Brevis in F, BWV 233 - Cantus Cölln, Konrad Junghänel

Preludes and Fugues in E major (BWV 854), E minor (BWV 855), and F major (BWV 856), from Book I of The Well-Tempered Clavier - Richard Egarr, harpsichord

Preludes and Fugues in F-sharp minor (BWV 883) and A major (BWV 889), from Book II of The Well-Tempered Clavier - Richard Egarr, harpsichord

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