Ton Koopman

St. Peter's Church, Freiberg - Silbermann Organ
courtesy of St. Peter's, Freiberg

For Johann Sebastian Bach, a chorale was like raw gold - something he cold mold and shape to create something of amazing complexity and beauty. Hear three jewels crafted from the same piece of chorale gold, this week on "The Bach Hour."

Mat Hennek

This week on The Bach Hour, the notes on the page are by a young professional still carving out his reputation, but the hands playing the notes are those of an artist who released his first recording of Bach's music at the beginning of this seventh decade.

3268zauber, via Wikimedia Commons

This week on The Bach Hour, hear an organ with porcelain pipes, a concerto played by Anderson and Roe, and a cantata about a young girl's love for coffee.

On the program:

Chorale Prelude: Ich ruf zu dir, Herr Jesu Christ, BWV 639 (arr. Busoni) - Simone Dinnerstein, piano

Cantata BWV 177 Ich ruf zu dir, Herr Jesu Christ (translation) - Sandrine Piau, soprano;  Bogna Bartosz, alto;  Christoph Pregardien, tenor;  Amsterdam Baroque Choir and Orchestra, Ton Koopman, director

Concerto in B-flat, BWV 1055 (arr. Wind) - Erik Bosgraaf, recorder;  Ensemble Cordevento

Prelude and Fugue in D, BWV 532 (arr. Respighi) - St. Louis Symphony Orchestra, Leonard Slatkin, conductor

On the program:

Brandenburg Concerto No. 3 in G, BWV 1048 (arr. Reger) - Anderson and Roe

Cantata BWV 86 Wahrlich, wahrlich, ich sage euch (translation) - Sybilla Rubens, soprano;  Bernhard Landauer, alto;  Christoph Pregardien, tenor;  Klaus Mertens;  Amsterdam Baroque Orchestra and Choir, Ton Koopman, conductor

Orchestral Suite No. 1 in C, BWV 1066 - Academy of Ancient Music, Richard Egarr, conductor

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