Tom Huizenga

Tom Huizenga is a music producer, reporter, and blogger for NPR Music.

He is a regular contributor of stories about classical music to NPR's news programs and hosts NPR's classical music blog Deceptive Cadence. He is the classical music reviewer for All Things Considered.

Joining NPR in 1999, Huizenga spent seven years as a producer, writer, and editor for NPR's Peabody Award-winning daily classical music show Performance Today and for the programs SymphonyCast and World of Opera.

He's produced live concerts, including a radio broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center and NPR's first classical music webcast from New York's (Le) Poisson Rouge, featuring the Emerson String Quartet. He's also produced videos of musicians playing in unlikely venues, such as mezzo-soprano Joyce DiDonato singing at the historic Stonewall Inn in Greenwich Village and cellist Alisa Weilerstein at the Baltimore Aquarium. He's written and produced radio specials, like A Choral Christmas With Stile Antico, broadcast on stations around the country.

Huizenga's radio career began at the University of Michigan, where he hosted opera, jazz, free-form, and experimental radio programs at Ann Arbor's WCBN. As a student in the Ethnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

In his spare time, Huizenga writes about music for the Washington Post and overloads on concerts and movies.

For nearly five decades, Daniel Barenboim has been making a case for the symphonies of Anton Bruckner. Tonight at Carnegie Hall, the conductor begins a complete cycle of Bruckner's nine numbered symphonies, leading the storied Staatskapelle Berlin.

Interested in Steve Jobs, Georgia O'Keefe or Alice in Wonderland? They are all explored in new music in the upcoming American concert season.

Many stylistic winds blow through the repertoire of The Westerlies. The unconventional brass quartet from New York (Riley Mulherkar and Zubin Hensler, trumpets; Andy Clausen and Willem de Koch, trombones) embraces jazz, classical, new music and dance — and in this case, puts a new spin on an old British ballad.

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