Amsterdam Baroque Choir and Orchestra

On the program:

Partita in C minor, BWV 997 - Rolf Lislevand, lute

Cantata Wer nur den lieben Gott laesst walten, BWV 93 (translation) - Deborah York, soprano; Franziska Gottwald, alto; Paul Agnew, tenor; Klaus Mertens, bass; Amsterdam Baroque Orchestra and Choir, Ton Koopman, conductor

Chorale Prelude: Wer nur den lieben Gott laesst walten, BWV 647 (orch. Ton Koopman) - Yo-Yo Ma, cello; Amsterdam Baroque Orchestra, Ton Koopman, conductor

Concerto in A minor, BWV 593, after Vivaldi (arr. Samuil Feinberg) - Martin Roscoe, piano

St. Peter's Church, Freiberg - Silbermann Organ
courtesy of St. Peter's, Freiberg

On the program:

Cantata BWV 59:  III.  Komm, Heiliger Geist, Herre Gott  - Amsterdam Baroque Orchestra and Choir, Ton Koopman, conductor

Sonata for Solo Violin in C, BWV 1005 - Alina Ibragimova, violin

Chorale Prelude:  Komm, Heiliger Geist, BWV 651 - Craig F. Humber, organ (Silbermann organ at St. Peter's Church, Freiberg) (for information on the 2007 organ restoration, visit St. Peter's online)

Cantata BWV 172 Erschallet, ihr Lieder, erklinget, ihr Saiten!  (translation) - Barbara Schlick, soprano;  Kai Wessel, alto;  Christoph Pregardien, tenor;  Klaus Mertens, bass;  Amsterdam Baroque Orchestra and Choir, Ton Koopman, conductor

Tanya Gabrielian
courtesy of the artist

On the program:

Suite in E, BWV 1006a: III. Gavotte en Rondeu - Elizabeth Farr, lute-harpsichord

Cantata BWV 97 In allen meinen Taten (translation) - Sandrine Piau, soprano; Bogna Bartosz, alto; James Gilchrist, tenor; Klaus Mertens, bass; Amsterdam Baroque Orchestra and Choir, Ton Koopman, conductor

Violin Sonata No. 3 in C, BWV 1005 (trans. Bach, Saint-Saëns, and Cardelús) - Violin Sonata No. 3 in C, BWV 1005

Murray Perahia
Nana Watanabe

"Vivid, but not overdone." "Good taste and musical insight." Critics have a lot to say about Murray Perahia's interpretations of Bach - and with good reason. His playing rewards a close attention to subtle details. Hear it this week on The Bach Hour.

On the program:

Contrapunctus I, from The Art of the Fugue - Emerson String Quartet

Cantata BWV 33 Allein zu dir, Herr Jesu Christ (translation) - Franziska Gottwald, alto; Paul Agnew, tenor; Klaus Mertens, bass; Amsterdam Baroque Orchestra and Choir, Ton Koopman, conductor

Allein zu dir, Herr Jesu Christ, BWV 1100 - Hans Fagius, organ (1728 Cahman instrument at Leufsta Bruk, Sweden)

Chaconne (Etude No. 5 for the Left Hand, arr. Brahms) - Leon Fleisher, piano

Contrapunctus V, from The Art of the Fugue - Emerson String Quartet

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